Monday, September 7, 2026

Identity

 

Trying drag queen makeup turned out to be a fun evening.

A few years ago, a personal development program required me to be a man for one evening. I borrowed my husband’s suit, shirt, tie and shoes. Admittedly, I had to stuff the toes of his shoes for them to fit. The rest suited well. Struggling to find one’s own, unique identity remains one of life’s extenuating challenges. 

I longed to be a man. I wanted the power, the easy recognition, the affirmation of my worth. What I discovered that weekend helped define my identity as a woman. I am woman. My gender in no way diminishes the importance of what I have to say nor the message my work conveys, whether recognised or not. So, I continue to speak and work.

Which brings me to a current crisis of identity. So many reject their birth gender these days. They insist their bodies betray how they identify themselves. I so get it. And I am also thankful I did not have access to physically change anything. The huge winner in all this is Big Pharma. And my tax dollars pay for it.

Cosmetic surgery cannot reveal the true person. In fact, it usually contributes it its demise. So where do we find the root cause of this identity crisis? I suspect the catalyst of Women’s Liberation. The movement opened a cornucopia of questions demanding reasonable answers to millennia enforced parameters and perceptions. It challenged fixed assumptions around the roles of men and women and how we view ourselves. For a time, things seemed to change.

Unfortunately, today, social media reinforces the age-old concepts of how a man or a woman must be. Instead of rejoicing in newfound freedom to be anyway we wish scalpels maim perfectly functioning bodies while forcing a lifetime of servitude to hormonal injections. “Men must be men and women must be women” so we try to change what cannot be changed in the hope of proving one’s innate nature.

One’s innate nature does not depend on the body. The body is only a vessel in which our identity resides. Social parameters would have it otherwise. They dictate the height, weight and musculature of a man; tall, dark and handsome cannot wear a dress. Women are best barefoot, pregnant and in the kitchen. Of course, being blond, well-endowed and brainless help too. And we can only wear dresses.

 For me, the saddest part of all this rests in the suspicion that in the loss of hope, nothing and no one wins. Except those in charge of the money, of course. An empty and cruel taskmaster, the love of gold drains the soul of love of neighbour and love of self. Loving myself continues as my greatest challenge. Forgiving myself for being woman, for being creative, for “wasting time” on anything but monetary gain, frees me to love, to create, to be. I do not have to change a thing. I just need to embrace what is here and now.


Thursday, August 6, 2026

Wifi

 

Standing at the window waiting for my daughter to rise.

No wifi. Rain pelts against the windowpanes of our little cabin. My daughter is still in bed. Best place to be. We will not build a fire this morning. Maybe this evening. Forecasters predict tomorrow as sunny. We will see. In the interim, time passes slowly, peacefully.

The lack of wifi poses only one problem. I miss connecting with my husband, in the evening, just before supper. We tried phoning last night; he cannot hear anyone on his new phone. Will have to rectify that somehow. Maybe we should not have switched to a cell phone instead of the landline. Still, when we are both away from home…

So why am I without wifi? Mother/daughter getaways figured on our calendar at regular intervals before Covid. Once per year. We decided to reinstate the practice. As a result, we find ourselves tucked away from the madding crowd and endless responsibilities. Heaven. Or at least a piece of heaven.

Too late to book a comfort cabin at our favourite provincial park, I searched wifi for something close, yet not too close to home. Not for everyone, Whispering Winds cabin suits us very well. With all the comforts of home, we packed lighter. The picnic table and the fire pit superbly accommodate our need to rough it.

Without wifi, I get to sit, write, dream a little. How did life get so busy? Both my daughter and I needed a rest. A time to break with schedules, expectations and just be. I see bare feet peeking over the balcony. Time for breakfast.

Saturday, July 18, 2026

 

"Passage" 30x70in neomosaic mixed media on gallery wrap canvas

At a recent conference for creatives of all genres the organisers (RAFA) introduced us to a discussion on the phenomenon of artificial intelligence and its effect on the arts industry and the creative process. This industry generates $2.4 billion per year in Alberta alone.*

The conference began with a sampling of music from Chantal Rondeau. A writer and storyteller, Chantal has created over 1800 songs using AI with her poetry as abase. I must admit I really liked the music which begs the question: do we really need creatives? Honestly, why bother taking up so much time with a creative process when a computer can pump out perfectly acceptable art in a fraction of the time?

Sometimes the creative process takes years. When I discovered my own style of painting, it took me four years to complete the work. 'Passage", so appropriately named, reminds me of how I have progressed. My style, neomosaic, is an original way of painting. The time it took to develop involved complex random happenings over the course of many years. an amalgamation of chance encounters and serendipitous delights incubated within my humanity until it was ready to hatch.

I use AI to translate mostly. It does save time. The painting and the poetry, however, are not artificially generated. My creative process remains mine and I revel in the time it takes.

*from Arts Impact Alberta 2025: Ripple Effects from the Arts Sector


Thursday, June 4, 2026

Scattered

 


"Jitterbug" 24x72in mixedmedia on canvas $3456

Surrounded by scattered bits of tension, I hold a space where peace prevails. Living with tension seems to be the way of the world these days. Wars, weather and politics take their toll on patience. Amid so much negativity a positive outlook becomes more difficult to maintain.

I am thankful we decided to disconnect from news sources and television years ago. We have discovered we learn all we need to know from scattered bits of trusted information without the hype. A lack of hype allows space for reflection and peace of mind. Reflection is a daily routine over drinks before supper when we express our gratitude for the best things our day has brought to us.

“Jitterbug” looks scattered. A collaboration between myself and Doris Charest, we find our spirits renewed in this trusted alliance. Doris began this triptych with smooshing. She handed it over to me for the next steps. A month went by. Incubation time for ideas varies with the challenge. Accidents help. In the end we captured a playful spirit that can be displayed together or individually. We have entered it in the ISEA online competition “Utterly Profound”. Wish us luck!

Information on various events and shows is available on my website.

Celebration

"Celebration/célébration" 12x12in $490

 As a family, we do a lot of celebrating. I often hear the remark: I am so grateful for my family. At one time, celebration clustered in March and November. With the addition of several family members, we expanded to April, July and September. February is getting busy too. The more the merrier!

Collectively we can now join the natural celebration of spring. Finally!! The birds have already started. The ice and snow have melted away and I can walk to the pool again without fear of falling. “Celebration” commemorates this joyous occasion. Nestled in the wild woods just north of Stony Plain, the pond shows signs of open water although the geese still slide as they land. Beavers enlarge the space of open water with their noses and tails. Everything is excited.

With celebration in mind, Doris Charest and I are on our way to Stone’s Throw Café (13019 20 Ave NW Blairmore AB) which opens on the 12 May. Also VASA (25 Sir Winston Churchill Ave St. Albert) is holding their spring show from May 5  to May 30. In the meantime, I still have a solo show in Zyp Art Gallery in Calmar AB until August 3. A few other shows are on the way in June before we enter summer break. You can find more information in the “Events” section on my website.

Thursday, April 9, 2026

Joyful

"Joyful/joyeuse" 36x30in $2160

Easter week approaches its finish already! This joyful season set at the equinox as the days lengthen into a very welcome spring, celebrates new life. I think everyone is very tired of snow. I am certainly tired of ice. The pathway to the swimming pool has been invaded again and I am not much good at skating.

A joyful little waterfall

“Joyful” aptly describes this little waterfall adorning a small stream within the Mackenzie King Estate in the Gatineau Hills of Ontario. My husband and I visited the park a very long time ago. A photo takes years to incubate sometimes. While researching new inspiration for my obsession with water, I stumbled upon this old image in my collection. Little streams like this one make my soul sing. So, this painting now numbers among the creations in my series named “Source”.

Balancing act

As an artist, I wish to show my work so I apply to all sorts of different venues. Never certain of acceptance, lately, I have had to refuse one or two. Now I am juggling images wondering if I can avoid double dipping. Committing one image to two different venues does not really display good management. My joyful discovery of Artworks Archive is worth celebrating and I highly recommend it to anyone trying to keep things in order. 

Upcoming exhibitions

“Joyful” will be part of two exhibitions coming up in May and June. In the meantime, Duo (my collaboration with Doris Charest) has a show at the Walterdale Theatre from 15 to 25 April. Anyone who joins us at the reception on 14 April at 6:30pm can also join us for the preview of the latest play “Waiting for the Parade”. So looking forward to that! I also have a solo show at the Zyp Art Gallery in Calmar from 24 April to 31 July this year.

You can find more information in the “Events” section on my website. https://www.karenblanchet.ca


 

Monday, March 9, 2026

Communion

 

"Communion" neomosaic/mixed media on gallery wrap canvas $2025

For the Love of Water

The exhibition “For the Love of Water” opened on 5 February at CAVA (9103 95 Ave Edmonton). It closes on the 28 March.

Abundance

 My relationship with water began in my teens. Living in a country where water is plentiful, I am grateful for the abundance that surrounds us. Just as these children find the stream endlessly amusing, I too appreciate the pleasure water can provide.  Recreation forms a major part of my self-care. Whether I am relaxing in a bubble bath or swimming in the local pool, water provides the setting for peace and renewal.

Scarcer times

I have also lived without abundance. Residing on a boat during my early twenties, I discovered how to live within limits. We prioritized its use to drinking or cooking. As we had neither shower nor laundry facilities, cleanliness took on a different meaning. A basin, a bar of soap and a towel with a cup of water covered the necessities until we docked at a port of call. First on the list were laundry and refilling our five-gallon water containers. Scarcity enhanced respect in our relationship.

Delight

“Communion” centres on relationship. My daughters playing in the stream embody playfulness and ease. As I watched them, I cherished the delight of the moment. The shade and the cool water made it even more pleasurable. The joy we shared bubbled over into laughter and skipping rocks.

Complex relationships

Relationships are not always easy. The brokenness of my work hints at something amiss. When the glaciers disappear and the rivers run dry, I wonder how we will survive without our green lawns. In the meantime, I am thankful for modern plumbing and readily available drinking water. As for our lawn, it must fend for itself.

Shows

Just a reminder: both the CAVA and Artrium shows are coming to an end at the end of this month. New opportunities abound nonetheless. Duo (Doris Charest and Karen Blanchet collaboration) is showing in the Walterdale Theatre from 15 April to officially the 25 April. The Opening is on 14 April along with the preview of the new play to which every one is welcome. Then we are off to Crowsnest Pass and the Stone's Throw Cafe 13019 20 Ave Blairmore AB. Duo will be there from 12 May to the 7 July. 'Source" will be busy for the rest of the year, showing at the Zyp Art Gallery in Calmar AB from 20 April to 3 August and then in October at the Crowsnest Pass Public Art Gallery. Check out my website for more information.